Monday, November 15, 2010

Artist Lecture: Alexandre Singh

This article has me more confused about your work.
http://rhizome.org/editorial/3045

http://www.harrislieberman.com/alexandre_singh/alexandre_singh-2009-splash.html

Questiona so answer:
Question 1:
In your own words could you describe the use of letters and images in your "Assembly Instructions"? I am still very fogy on the relationship of images and letters in this work.


FOR IMMEDIATE RELEASE
ALEXANDRE SINGH: ASSEMBLY INSTRUCTIONS (TANGENTIAL LOGICK) 17 October – 14 November 2009 Opening Reception: Saturday, October 17, 6-8 pm Gallery Hours: Tuesday through Saturday 11 – 6pm
Harris Lieberman is pleased to present the New York gallery debut of Alexandre Singh. A skilled storyteller, Singh delivers wry archaeologies of spiritual, intellectual and consumer cultures through narrative forms as eclectic as the academic lecture and Gothic horror novel. The resulting works – spanning sculpture, collage, video, installation and performance – reveal an outsize vision to match the dizzying array of anecdotes and characters that populate Singh’s tales.
For this exhibition, Singh displays Assembly Instructions (Tangential Logick), one chapter from an ongoing series of installations and lectures addressing such topics as the catholic confession, the Ikea store as mnemonic device, Yves Klein’s lungs and equestrian statues. Departing from conventional, linear narrative structures, Singh presents a room of framed, Xerox collages, linked by chains of hand drawn pencil dots, that create a web of interconnected images and ideas. As one grouping extends out along dotted lines to other collages, a small chain-of-thought gives rise to a larger theory, marked by Singh’s characteristic whimsy.
Assembly Instructions (Tangential Logick) investigates the thought processes of the sleeping or narcotically infused mind. Singh suggests that in a heightened state of interconnectivity, the dreamer constructs ever more elaborate images, word-plays and connected notions, which upon waking, naturally evaporate away, leaving us with only the most perplexing vestiges of a rich and often bizarre imaginative journey.
At the conclusion of the exhibition, Singh will deliver three of his Assembly Instructions lectures over successive nights at White Columns, New York. Alexandre Singh: 3 Lectures + 1 Story = 4 Evenings is curated by Matthew Higgs in association with Performa09.
Alexandre Singh received his BFA from the Ruskin School of Drawing Fine Art, at Oxford University, UK, and his MFA from the School of Arts, New York. He has had solo exhibitions at White Columns, New Ballroom, Marfa, and Museu da Electricidade, Lisbon. Recent group exhibitions include Fax, which originated at The Drawing Center, New York, and will travel to Contemporary Museum, Baltimore, and Torrance Art Museum, Torrance; NO SOUL FOR SALE at X-Initiative, New York, curated by Rhizome; The Columns Held Us Up, Artists Space, New York; Of This Tale I Cannot Guarantee A Single Word, The Royal College of Art, London; and EAST International 17, Norwich Gallery, Norwich.
and Visual York,


Question 2

In your collaborative past work, how did you go about collaborating with the other artists?
he mentioned that he was friends with the individuals he collaborated with

- What was the most interesting quote of the lecture and why?
 to paraphrase an answer about how he makes work; take every practice about being alive and make work


- Using three words, define the core of the artist's practice and artwork.
imaginative, fluid, anthropomorphism

- What is the most interesting thing you learned about the artist that you did not know before?
well I had no idea what he was trying to do just by reading and viewing photographs of his work

- What image or artwork do you find the most compelling and powerful after hearing the artist describe it?

I enjoyed his lecture, I wish I could have seen his piece about the Meth Lab in person. I feel that he is a speaker, a lecturer, a story teller above all else. 





Submit to Competitions 11/15

Submit to Competitions

Proof of entrance into a minimum of 2 photo contests and/or exhibition opportunities. Expect to pay at least $70 in entrance fees for the semester. Instructor must approve exhibitions and will require documentation  posted on blog (post receipt email or pic of prepared mailing including all materials).
PDNedu contest 2011

Photographers Forum Magazine Contest 

Virginia Museum of Fine Arts Undergraduate Fellowship Program 
(Four Year College/Fellowship)
Purpose: Must be able to prove residence in Virginia for one year prior to deadline. Nonrenewable award for undergraduate students planning to be enrolled full-time for full academic year at accepted institution. Must submit ten slides of recent work. Focus: Arts; Art History; Filmmaking/Video Qualif.: Applicant must be: citizen or permanent resident of the U.S. as well as current legal residents of Virginia or a registered in-state student. High school students not considered. Students must have been a resident for at least 12 months prior to this application. Applicants must be able to provide verification of residency upon request.

Funds Avail.: Minimum award amount: $4000. No. and Amount Awarded Last Calendar Year: 7 fellowship(s), totalling $28,000. To Apply: Required: application form; transcript; reference(s); self-addressed stamped envelope; 10 slides of recent work. 
Rachel Rainer and Amber Bender's VMFA Fellowship Applications 


Artist Post #10 Mark Power



 Artist post #10 Mark Power 

- Why
Because I  am fairly lost I am looking at spaces, and photographers that have also photographed space. Places where humans interact and congregate. He uses spaces to emphasize isolation.  
- Artist Biography
Mark Power has published 5 books The Shipping Forecast (1996) ; Superstructure (2000), The Treasury Project (2002),  26 Different Endings (2007), and The Sound of Two Songs (2010). He does many things as well as photograph landscapes. 

- Quote 1
"
Power punctuates his impressionistic visual narrative with portraits of Poles young and old, who stare at the camera without giving anything away. He photographs expansive car parks, shopping malls and blocks of flats: the new Poland, existing in a suspended state, definably east European but slowly being colonised by the consumerist temples of the west. There are hints of an older past: broken-down churches; dense, uncultivated forests.
"



"The Sound of Two Songs by Mark Power | Art and Design | The Observer." Latest News, Comment and Reviews from the Guardian | Guardian.co.uk. Web. 15 Nov. 2010. <http://www.guardian.co.uk/artanddesign/2010/aug/08/sound-two-songs-mark-power>.



- Quote 2  
In talking about his photography when using 4x5 film. particularly the first image below. 
"
 I was really amazed by the way photography had transformed the event into something visually very strange. That's why I like this picture so much. Everything is so sharp: the people and the screens have the same clarity, so you're not sure what you're supposed to be looking at. The crowd is darker, which means they appear closer to the camera than the screens – which wasn't the case.
"

"Photographer Mark Power's Best Shot | Art and Design | The Guardian." Latest News, Comment and Reviews from the Guardian | Guardian.co.uk. Web. 15 Nov. 2010. <http://www.guardian.co.uk/artanddesign/2010/jun/09/photographer-mark-power-best-shot#zoomed-picture>.


- 4 images and / or video/sound clips of artwork







- a link to an interview with the artist or a review









http://www.youtube.com/watch?v=eRObYFKELY4

- link to gallery representing artist
http://www.amadorgallery.com/Mark%20Power.html


- link to artist website
http://www.markpower.co.uk/Projects

Wednesday, November 10, 2010

Topic/ Idea #10 The Other


Topic/ Idea #10 The Other

- Quote 1 
"The outsider frequently overlaps with the Other, but they are not identical. The outsider has the possibility of being accepted by and incorporated into the group; offspring are very likely to be accepted into the group. The Other, however, is perceived as different in kind, as lacking in some essential trait or traits that the group has; offspring will inherit the same deficient nature and be the Other also. Therefore the Other and the offspring of the Other may be doomed forever to remain separate, never to become part of the group--in other words, to be the Other forever."

This section of reading was taken from an excerpt from a class offered at Brooklyn Collage. It continues to describe and define the other and the outsider. 
"The Other." Web. 11 Nov. 2010. <http://academic.brooklyn.cuny.edu/english/melani/cs6/other.html>.

- Quote 2 
"Somewhere, on the edge of consciousness, there is what i call a mythical norm, which each one of us within our hearts knows "that is not me" in america, this norm is usually defined as white, thin, male, young, heterosexual, christian, and financially secure. It is whith this mythical norm that the trappings of power reside within this society. Those of us who stand outside that power often identify one way in which we are different, and we assume that to be the primary cause of all oppression, forgetting other distortions around difference some of which we ourselves may be practicing...there is a pretense to a homogeneity of experience... that does not in fact exist."
Lorde, Audre. Sister Outsider: Essays and Speeches. Freedom (Calif.): Crossing, 2001. Print.(long, 116)
I had a professor of another class present this material to me when I brought up the inclusion of the other in my current project. I researched and found more information and writings of Lorde. 

- a brief summary of how this topic relates to your work or how it could effect it

my work now is getting to a place where I become the outsider of these events. I am grappling with this uneasy feeling of trying to fit into the group or stand out. I feel by doing this and my experience with groups in the past no matter how hard you try to fit in the members of the group will notice you are different. 





Monday, November 8, 2010

Simon Tarr Lecture November 9, 2010

Simon Tarr Lecture November 9, 2010

- What was the most interesting quote of the lecture and why?

I really enjoyed his description of his work or his work ethic as being that of a " hunter gatherer" this creation from something found or something not manipulated. 


- Using three words, define the core of the artist's practice and artwork.
multiplicity, found or reused, manipulated

- What is the most interesting thing you learned about the artist that you did not know before?
he altered the video trying to achieve a performance piece every time he showed it 



- What image or artwork do you find the most compelling and powerful after hearing the artist describe it?
After learning more about what he did and watching the performance of his altered Tia Mak video I wasn't really impressed by anything. I don't fancy video. it seems to be simplistic and repetitive.

- Do you have any new questions in regards to the artist?

Could you talk a little bit more about 'Tia Mak' this video seems to have associations to other videos?
he talked about the relation to Nanook of the North, I have never seen the film but feel I really need to.


Tia Mak from Simon Tarr on Vimeo.


Do you use time based media to facilitate an idea or focus of your creative thinking or does the medium itself call for the works to be made?
I feel he does video, and then does projects to use video. The subject matter doesn't call for any other form because it is intended for film.

Artist Post #9 MELISSA CATANESE

Artist Post #9 MELISSA CATANESE
Highlight an artist of interest (no repeats from previous semester) that relates to your work. Provide the following information:

- why


I really love her on camera harsh flash, ascetically I find the images fantastic. Subject matter is somewhat mundane but made more exciting with light. I feel my previous images were focused far to much on creating a even lit space. I need to take more liberty with creating an image that has variation in lighting. 


- Artist Biography 


"Melissa Catanese was born in Cleveland, Ohio. She holds a BFA from Columbus College of Art and Design (2001) and an MFAfrom Cranbrook Academy of Art (2006). Exhibitions featuring her pictures include RaiseUp2 (at C. Emmerson Fine Arts, St. Petersburg, FL; ADM Gallery, Los Angeles; and Omy Gallery, Toronto); Keep it in the Family, En Rounte, Relics, and Cul de Sac(all at Forum Gallery, Bloomfield Hills, MI); and Interface (at the Cleveland Institute of Art). Her work has been published in tiny vicesFrom Here on OutRaiseUp Volumes I and 2, and as the monograph Stardust."
- Quote 1


"Working with a common 35mm point-and-shoot camera, Melissa Catanese makes photographs that are not so much about the everyday objects and events in front of her lens as how using a camera structures the photographer’s interaction with those things. The uneven illumination of a harsh flash at night, for instance, aptly demonstrates the photograph as a particular type of response, the record of a reaction. Catanese makes the pictures as personal documents, and they retain a sense of casual discovery. Drawing on the vernacular of snapshots, there is something understandably familiar in her pictures of a dog with redeye or sunlight filtered through tree branches, a familiarity that underscores the curious fact that certain things continually compel us to make pictures of them."


Museum of Contemporary Photography. Web. 08 Nov. 2010. <http://www.mocp.org/collections/mpp/catanese_melissa.php>.




- Quote 2 


"I just want to crawl inside Melissa Catanese’s photographs and die.  "


Leon and Lazlo. Web. 08 Nov. 2010. <http://leonlazlo.tumblr.com/>.







- a link to an interview with the artist or a review
http://blog.brooklynartproject.com/2009/01/melissa-catanese-fieldwork/
- link to gallery representing artist
http://www.sashawolf.com/Exhibition_Melissa.html
- link to artist website
http://www.mcatanese.com/index.html

Sunday, November 7, 2010

Grad Schools

- Why you are interested in the school ? What makes this school a good match for you in relation to its competitors? what looks unique about the program?

The school of visual arts prides its self on a personalized photography MFA program. I am looking for a school that has a program that can mold to creative thought and process, not ridged structure. They also note they have a diverse student body and faculty. Something that they put up front in their learning priorities is understanding and studying historical perspectives, as well as criticisms and theory in contemporary photography. This understanding of the past to forward the thoughts of the future is very important and not always made a priority by schools. 


- Highlight an interesting professor's work and bio (post images)

Suzanne Anker 
Chair, BFA Fine Arts Department, School of Visual Arts; fine artist; theorist
Education: BA, Brooklyn College; MFA, University of Colorado, Boulder
One-person exhibitions include: Universal Concepts Unlimited; Greenberg Wilson Gallery; Richard Gray Gallery, Chicago; Walker Art Center, Minneapolis
Group exhibitions include: J. Paul Getty Museum, Los Angeles; Basel Art Fair; Albright-Knox Art Gallery, Buffalo, NY; P.S.1 Contemporary Art Center; Kunsthaus Merano, Italy; Museo de Arte Extremeno e Iberamericano, Seville; The National Museum of Modern Art, Kyoto
Collections include: Santa Barbara Museum of Art, Cleveland Museum of Art, Oakland Art Museum, New York Public Library, Denver Art Museum
Publications include: Artforum, Art in America, ARTnews, Flash Art, World Art, The New York Times, Art Journal, Tema Celeste, M/E/A/N/I/N/G, Newsweek, The Economist, Nature
Awards include: New York Foundation for the Arts, Artists Space

BinB_caption


OriginsandFutures_caption


Highlight an interesting graduate students work and bio (post images)
"Sara Macel moved from Texas to New York at the age of eighteen. She received a BFA in Photography and Imaging from New York UniversityĆ­s Tisch School of the Arts in 2003, where she received the Tobias Award for her project titled Kiss + Tell. After graduating, she spent two years as the assistant and studio manager to Magnum photographer Bruce Davidson before becoming a still photography producer at Art Department. She is currently working on her MFA in Photography at the School of Visual Arts. Her first solo exhibition in December 2009 was on display at +Kris Graves Projects in Brooklyn, NY. Her work has been widely exhibited and is in various private collections, including the Center of Photography at Woodstock. Sara currently lives in Brooklyn, NY."




http://mfaphoto.schoolofvisualarts.edu/?page_id=27

VISIT DATES: 
MFA Photography, Video and Related Media
Tel: 212.592.2360 / Fax: 212.592.2366
Please Note: The department will be hosting an additional information session at 10:00 AM on the following date: (Thursday) December 9, 2010. Prospective students interested in this session must RSVP with the department and plan to bring a portfolio. Please contact the department directly for further information.




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- Why you are interested in the school ? What makes this school a good match for you in relation to its competitors? what looks unique about the program?


Im interested in The New School because I'm moving to NYC in may and want to further my education. Some things I like about the New School that puts it on my list above other schools in NYC is it emphasizes a creative and collaborative environment.  They have a established reputation in the art and photography community in New York. The program as a focus in educating its students about the possibility of photography, and other time based medias.

- Highlight an interesting professor's work and bio (post images)



Aziz and Cucher

"Anthony Aziz and Sammy Cucher have been collaborating on and exhibiting digital photography, sculpture, video and architectural installation works since 1991. They live and work in New York City. Considered pioneers in the field of digital imaging, Aziz + Cucher have exhibited their work in major museums and institutions both in the US and abroad. They are both members of the Faculty at Parsons The New School for Design, New York."







Highlight an interesting graduate students work and bio (post images)





Carrie Villines About
“Los Angeles native Carrie Villines recived her BA from UCLA and her MFA from Parsons. Her work has been exhibited internationally, and published in ArtVoices, ARTnews, Artinfo.com, The Black Book, Graphis and Time Out New York, among others. She lives in Brooklyn.” 

(I couldn't find the one I really liked, it is the second image in the 'members only' collection )